I’m truly honored and grateful to have my poetry published in these fine literary journals and anthologies:
(Online journals have link to the poem published, when possible)
- Calyx, Winter 2019 (forthcoming) –“Getting Through Menopause Without Killing Everyone You Love”
- Is It Hot in Here or Is It Just Me?, Beautiful Cadaver Project Anthology, 2019 — “Becoming Our Mothers” and “Getting Through Menopause Without Killing Everyone You Love”
- Blue Heron Review, Featured Poet June 2019 — “The 2nd Time I Lost My Kidney,” “On Making Bisque to Comfort the Mother Who Lost Her Son” and “Unfurling”
- WRATH, Vol 5 of Seven Deadly Sins Series, Pure Slush (Australia), 2019 — “Headline: A mother protects her son”
- More Queer Families, An LGBQT & Allies Anthology — “A Singular Aluminum-Foiled Horn”
- Cliterature, Special Edition by Invitation Only — “How to Seduce Me”
- Blue Heron, Issue 11, Winter 2019 — “Letting Go”
- SLOTH, Vol 4 of Seven Deadly Sins Series, Pure Slush (Australia), 2019 — “Lazy”
- Kosmos Quarterly, Summer 2018 — “How to Build a Home”
- Amsterdam Quarterly, Genealogy Issue, 2018 — “From Those Who Came Before”
- Rising Phoenix Review, November 2018 — “Desperate Choices”
- Writer’s Resist, 2018 — “Liberty Turns Her Back”
- Amethyst Review, 2018 — “To Question a Seed Pod in Autumn” and “To Fly”
- Quiet Storm, 2018 — “Taking Away the Pain in Georgia” and “Metal in My Mouth”
- GREED, Vol 3 of Seven Deadly Sins Series, Pure Slush (Australia), 2018 — “An American City”
- Poets Reading the News, Summer, 2018 — “Jars of Clay”
- Northampton Poetry Review (UK), Summer 2018 — Liberty Turns Her Back (a ghazal)
- Visual Verse, Vol 5, Chap 7, May 2018 — “Not Too Cold / Not Too Hot”
- Pilcrow & Dagger, 2018 — “Black Sheep”
- Awakened Voices, Issue #6, May 2018 — “What Happens Later — Sometimes Much Later”
- Panoply — “From Those Who Came Before”
- The Poeming Pigeon: In the News, May 2018 — “For Eric and Erica”
- GLUTTONY, Vol 2 of Seven Deadly Sins Series, Pure Slush (Australia), 2018 — “Teacups, Teacups Everywhere and Not a Scone in Sight”
- Dissident Voices, 2018 — “Word Gate” and “On a Winter Sunday”
- Suisun Valley Review, 2018 — “Benign?,” “Collected, Standing the Test of Time” and “Kidney Beans”
- Voicecatcher: a journal of women’s voices & vision, Summer 2018 — “Getting Through Menopause Without Killing Everyone You Love”
- Verseweavers (Oregon Poetry Association, 2018)– “Today I Am Venus” (Won 2nd prize, members only category)
- Degenerates: Voices for Peace, Mental Illness Issue, 2018 — “Prescribed Addiction”
- LUST, Vol 1 of Seven Deadly Sins Series, Pure Slush (Australia), 2018 — “Dental Impressions”
- American Journal of Poetry, July 2018 — “Another Page in the Fraternity Scrapbook” and “My Name Doesn’t Appear in Your history Pages”
- The Poeming Pigeon: Love Poems, Decl 2017 — “Our Love Isn’t Photoshop’d”
- Visual Verse, Vol 4, Chap 10, November 2017 — “Emma Jane“
- PoeticDiversity – The Poetry Zine of Los Angeles, April 2017
— “A Groupon for Women’s Plus-Size Mermaid Swimsuit” (nominated for Best of the Net, 2017) - Delaware Poetry Review, March 2017, This Thing Called Life–The Prince Issue — “Forever 19“
- mgversion2>datura: La petite mort, Jan 2017, Issue #87 — “Ecstatic Death” and “The Gift”
- Writers Resist, Dec 2016 — “The First Snow after the Election”
- Red Sky (Anthology on Violence against Women, Sable Books) — “The Day I Saw My Rapist at the Corner Texaco, parts 1 & 2”
- Visual Verse, Vol 4, Chap 1 — “Never Wore the Same Pair Twice”
- Allegro Poetry Magazine (UK), Dec 2016 — “Borscht, Bolshoi & KGB”
- Visitant Lit, Oct 2016 — “On Making Bisque to Comfort the Mother who Lost her Son”
- The Poeming Pigeon: Poems about Music, Fall 2016 — “Forever 19”
- Timberline Review, Inaugural Issue, Summer 2015 — “Floating in her Mouth”
- Museum of Awkward (Oakland Installment)
— “What Pray Tell Is a Pussy Fart?” - Visual Verse, Vol 3, Chap 12 — “Her Blue Period”
- PoeticDiversity – The Poetry Zine of Los Angeles, Nov 2016
— “Keeping the Rabbit Warm” - Visual Verse, Vol 3, Chap 11 — “Quick, Before the Gate Closes”
- Visual Verse, Vol 3, Chap 9 — “On the Ocean’s Edge”
- Social Justice Poetry — “A Mothers Dream”
- Verse Virtual, July 2016 — “One Final Inning in St. Louis”
- Inwood Indiana (The Reaping Issue) — “Alone in this Place”
- Silver Birch Press (Beach Issue) — “For the Boy in a Wheelchair at a Florida Beach”
- Verse Virtual, April 2016 — “Poetically Opposed”
- Pure Slush (Australia), The Mirror Issue — “Corsets”
- Silver Birch Press (Starting to Ride Issue) — “Training Wheels”
- Social Justice Poetry — “Just Another Day”
- Silver Birch Press (Mane Issue) — “Angel Hair”
- Verse Virtual, January 2016 — “Pink Ribbons”
- Sparrow’s Trill (Minerva Rising, Jan 2016) — “Human”
- Suisan Valley Review, 2016 — “Arranged” and “Nadine’s Knuckles”
- The Poeming Pigeon: Doobie or Not Doobie? (4/20/16)– “Ivy and Weed”
- Kind of Hurricane Press Editors Award Finalist — “Arranged”
- OccuPoetry, March 2016 — “Behind Bars” and “Taken Down by the Police”
- Elohi Gadugi, Jan 2016 — “Get Yourself a New Weather Girl”
- Songs of Eretz (Annual Contest Finalist, Dec 2015) — “Crabgrass in Suburbia”
- Suisan Valley Review, 2015 — “Decisions, Decisions”
- The Poeming Pigeon: Poems about Food (Fall 2015)— “How to Eat a Strawberry”
- Oregon Poetry Association (Spring Contest, Honorable Mention for Ghazal Category) “Safe Distance from the Flame”
- Poeming Pigeons: Poems about Birds (Spring 2015)– “What They See” (aka “Bird Watching”)
- Songs of Eretz (March 2015) — “Bird Watching”
- Shattered (Kind of Hurricane Press, Anthology) — “Becoming Ophelia”
- Léannan, Love & Marriage Issue (South Africa) — “Saturday Nights”
- PDXX Collective (Dec, 2015, now Visitant Lit) — “Nothing Left to See”
- PDXX Collective (Dec, 2015, now Visitant Lit) — “On Why The Editor Can’t Objectively Select Poems After Sex”
- FIVE (5 yr Anniversary Print Issue from Pure Slush, Australia) — “Take Five”
- MUSED Quarterly, Winter 2015 — “Angel Hair” and “It’s Soothing Gift”
- *Star 82 Review, Issue 3.4, Dec 2015 — “Safe Distance From the Flame”
- Snapdragon, Summer 2015 — “Perpetual”
- Of Course, I’m a Feminist! (Anthology celebrating International Women’s Day, 2015) — “Empty”
- Page & Spine (Jan 2015) — “This Is My Body”
- Deep Waters Literary Journal (South Africa, Aug, 2014) — “He Doesn’t Know”
- Weatherings (Future Cycle Press, 2015) — “They Call Me Mary”
- Elohi Gadugi, Fall 2014 — “Jasmine”
- Minerva Rising (Food Issue, 2014) — “Strawberry Jam”
- Munyori Literary Journal (Featured Poet) — “Born Where Men Go to Die”, “And the Question Is…”, “Shape Shifting”, “Last Call” and “Citizen’s Mistress”
- VoiceCatcher – A Journal of Women’s Voices & Visions, Summer 2014 — “Binders Full of Women”
- Whisperings Literary Journal (Volume 3, Issue 1,Mountain Tales Press) — Featured Poet: “Thought Drops,” “American Cannibals,” “Crabgrass in Suburbia,” “Poetically Opposed” and “Virtuoso”
- Napalm & Novocain — “black widows and divorce”
- Kind of a Hurricane Press (Something Brewing Anthology)– “Saturday Morning at Starbucks”
- Eternal Snow (Anthology edited by Yuyu Sharma) — “Himalaya”
- Boston Poetry Magazine (Feb 2014) — “Blue Moon,” “Cancer Beetles” and “Shane’s Beach”
- PoeticDiversity – The Poetry Zine of Los Angeles, April 2014
— “Can’t Quite Fill the Space” (Pushcart Nominee) - The Kentucky Review (2014) — “Pie Filling” and “Mapping His Freckles”
- Rubicon: Words and Art Inspired by Oscar Wilde (Sybaritic Press) — “From the Depths”
- Benicia Annual Love Poetry Contest, 2014 Finalist — “The Shape of Your Mouth”
- River Poets Journal – Special Edition Anthology — “Runaway”
- From the Depths Quarterly Review (Haunted Waters Press, Summer 2014) — “Emma Jane”
- Crossing Over (Main Street Rag, 2014) — “Jungle Fever”
- PoeticDiversity – The Poetry Zine of Los Angeles, April 2014
— Post Divorce Tarot Reading: A Courtship Trifecta - Keeping It Weird: Stories and Poems of Portland, Oregon — “A Girl and a Pole”
- Chicago Literati — “Too Soon”
- Tule Review (Sacramento Poetry Center, Fall 2013) — “The Second Time I Lost My Kidney”
- From the Depths Quarterly Review (Haunted Waters Press, Fall 2013) — “How to Build a Home,” “Take Five” and “Root Beer Floats”
- Paper Bag Writers Project (Nov, 2013) — “In From Out of the Cold”
- Sacramento Voices (Cold River Press) — “Unfastening,” “Midnight in Missouri,” “Mirror, Mirror” and “Waiting for the Age of Aquarius”
- From the Depths Quarterly Review (Haunted Waters Press, Summer 2013) — “Unfinished Sentences”
- Metric Conversions (Nazar Look – Romania) — “Union”
- National Poetry Month Anthology (Writing Knights Press, 2013) — “A Single Drop of Sweat”
- Savage Melodies & Last Call Serenades (Six Ft Swells Press) — “What Hat?” and “Journey’s Rush”
- Nefarious Ballerina (Shoe Music Press) — “The Hungarian Adventurer”
- Voice of Lincoln Annual Contest Anthology, 2012 — 1st Prize Winner (What Money Can’t Buy): “And Life Goes On” and 2nd Prize Winner (Unbelievable but true): “Fingerpainting”
- Longest Hours: Thoughts While Waiting (Silver Boomer Books) — “Biopsy”
- Zingara Poetry Picks — “Now You See It, Now You Don’t”
- WTF?! (Rattlesnake Press, Fall, 2012) — “This Ain’t No Bangles Song”
- Harbin Hot Springs Poetry Contest — 3rd Place Winner: “Canopy”
- From the Four-Chambered Heart: Anais Nin Tribute Anthology (Sybaritic Press) — “Dear Henry”
- Seattle Erotic Festival Anthology (2012) — “Fucking Alliteration,” “Ecstatic Death,” “Bewitched” and “My Religion”
- Skin 2 Skin: Art of the Lesbian — “A Mother’s Dream”
- New Orleans by Gaslight (Black Tome Books) – “Pocketful of Coppers”
- Tincture Journal (Australia) – “Traffic Jam”
- Featherlit — “He Loved”
- Cliterature — “Was Black Friday Part of Mayan Calendar?”
- The Oddity (Absurd Publications) — “Empty”
- Pirene’s Fountain (Beverage Issue, Glass Lyre Press) — “Morning Ritual”
- The Possibility Place — “A Mother’s Dream”
- WTF?! (Rattlesnake Press, 2011) — “Muse-ic”
- Poets Corner – Sacramento News & Review (April 2012)– “R(ela)x”
- Wait a Minute, I Have to Take off my Bra (Inkspotter Publishing (Canada) — “Pink Ribbons”
- Convergence: Journal of Poetry & Art (Editors Choice, 2011) — “Business Proposal,” “Let My Soul Dance” and “Patchwork Heart”
- Survivor’s Review (July 2010) — “Pink Ribbons”
- Prospective: Journal of Speculation (Loyal Stone Press) — “Hell Hath No Fury”
- Poetry Now (Sacramento Poetry Center, print issue, 2009) — “Where Does Poetry Live,”
- Poetry Now (Sacramento Poetry Center, print issue, 2009) — “Red Dress,” “Taurus Fell Under the Moon,”
- Poetry Now (Sacramento Poetry Center, print issue, 2008) — “Play for Me Claire de Lune,”
- Poetry Now (Sacramento Poetry Center, print issue, 2008) — “Generations” and “Capitalism”
- Survivor’s Review (June 2008) — “Remission”
- Rattlesnake Review (Spring, 2009) — “Speak”
- Rattlesnake Review (Summer, 2008) — “Gadzooks,” “Laughter,” “Doohickey,” “Rules of 4” and “Saturday Morning at Starbucks”
- Rattlesnake Review (Winter, 2008) –“Like Snow”
- The Obsidian (Rattlesnake Press) — “Pancakes”